‘Which DSLR should I buy?’

With Christmas coming someone asked me which Digital SLR camera they should buy for their other half, who had used a manual SLR back in the day, and was now keen to get into photography once more.

I blow hot and cold when it comes to discussing ‘gear’. Yes, I’ll sing the praises of my Bowens lighting kit, I have been nothing but happy with the Canon EOS system that I’ve used for years but, aside from the odd occasion I have a real need to upgrade, I don’t much think about gear. I vaguely know that the cheapest Canon DSLR is the 1000D and weighs in at a reasonable £349 with a cheap kit lens, that there are some great mid-range cameras suitable for commercial work, and a pro range beginning with the 5D MKII and ending with the £5k-ish Canon EOS 1Ds MKIV.

But I only really explore what’s available when the equipment I have doesn’t allow me to do something I need to. To read some camera forums you could be led to believe you need a top-line camera and a clutch of professional lenses to get results – the inflation of needs in modern photography to get the job done is pretty bonkers. While I’m a huge fan of digital photography, the romantic in me is sad that cameras are now more like computers – something you need to upgrade fairly frequently as they rapidly become obsolete. In the past famous professional photographers may have gone decades using the same primary camera – perhaps a Leica M-series, a Hasselblad 500, a Rollei. If you were happy to focus and meter manually a camera could truly be for life.

The only film camera is use with regularity these days is a Hasselblad 500c/m, a beautiful medium format device. I think my model dates from the early 1980s but the design is little changed from the 1950s. I have 80mm and 150mm Zeiss lenses with smooth, heavy-duty focussing rings that make focussing a pleasure. The sheer sharpness of the glass is as good as the best Canon professional lenses (probably even better) and, for portraiture, having ‘only’ two fixed focal length prime lenses is no restriction at all. The Hasselblad V system is modular – body, film cartridge, lens, choice of viewfinders. You can even buy a digital back for them, albiet for the price of a brand new mid-range family car! It’s the sort of high quality, buy once, use forever product I love, an antedote to the throwaway culture of most of today’s consumer products.

Still, you don’t always need to upgrade your digital camera just because something better’s come along either. The 8MP of a Canon EOS 30D, a camera I use as a backup to a 5D MKII on many shoots, is more than adequate for serious use in many contexts yet the sensor is the same as the 2004 Canon 20D. With a sharp image you can happily enlarge a photograph in Photoshop and produce wall-sized prints. The detail of my 21 megapixel 5D MKII is utterly astounding but it’s not always needed and the extra file-size means greater investment in computer power and harddrive space is necessary.

Many of the technological innovations on modern cameras are phenonomal but so far technology alone cannot make a stunning photograph and probably never will. No one would think buying the best knives or pots and pans would give them the same ability to make great meals as a top chef – that would be ridiculous – but there’s a perception that the more ‘professional’ your camera gear the more professional the results. The analogy isn’t quite like-for-like – if you want the insanely beautiful look of the Canon 85mm 1.2 lens you kind of need that lens, no two ways about it, but certainly a commercial-quality image can be taken with minimal kit given skill and education.

So, returning to my friend’s question… What would DLSR would I recommend? I more or less said this: All currently DSLRs can produce top-class results, even the very cheapest. If you have more money to spend invest in higher quality lenses rather than a fancier camera body. Even more importantly, perhaps buy the other half some well-recommended books on photography or perhaps sign them up for a course. It’s only by learning and education that pictures get better. I also said that you can’t go wrong with Canon.

Candid street photography, El Rastro, Madrid

At the end of the year it’s worth going through your photographs and deleting those that will not be needed again, trimming down all the family shoots to just the photos that featured on online galleries and perhaps downloading images from hard drives to DVD discs for archiving. It’s also a fun time to review the personal snaps, and attempts at personal projects from the last year. One set of images that stand out to me are some holiday images from El Rastro,  Madrid, Spain.

I’m not an massively well-travelled chap and have never seriously involved myself with anything so high-fallutin’ as ‘travel’ or ‘documentary’ photography, but I do like to create strong images when abroad rather than bog-standad holiday snaps. As my wife, Lidia, is from Madrid, it’s a city I often find myself in and, as you’d expect, it’s a rich environment for photographic opportunities.


Lovers steel a kiss between the hustle and bustle.

One location I love to visit when I can is El Rastro. El Rastro is the largest outdoor flea market in Europe and you can visit every Sunday from 9 am to 3 pm throughout the year. While it’s of course a major tourist draw, and stalls selling bits of tat are certainly to be found, the market retains plenty of Madrid authenticity. It’s a wonderful place to browse affordable antiques and bits of unique bric-a-brac and finish off with a drink and tapas.

Although the area is generally safe, it’s recommended to keep your bag secured at all time and be aware that pickpockets can sometimes be found. While incidents are few and far between it’s probably best not to take a top-drawer camera likely to attract attention. On the day I visited El Rastro I took an older DSLR and a small 85mm lens. The compact size and focal length meant I could mingle with the crowd and steal candids without being too close.


Antiques Trader that’s seen it all before at El Rastro.

You can buy everything from leather goods, original or reproduction art, antiques, or hippy-dippy clothing. If I lived in Madrid I’d doubtless use El Rastro to create some sort of vintage boho home on the cheap.  Haggling is all part of getting a good deal and vendors may be vivacious latin characters or world-weary folk that have been peddling their wares for too long.


Well dressed Old guy in Panama hat, El Rastro market


Two chicos check out a chica at El Rastro.


Two girls browse a jewellry stall.


A busker carefully tunes his guitar ready for his next performance.


A busker performs in the shade at El Rastro

Vintage portraiture

My calendar is now getting pretty congested from here until Christmas, with several family photoshoots, personal projects and freelance gigs in the offing. There may still be some gaps, though, so do email if you would like to book a shoot between now and Christmas.

Anyway, despite my busy schedule, I’ve managed to find time for purely fun photography. My wife, Lidia, and our friend Caterina recently attended a tea party in Bath, hosted by Mrs Stokes, a purveyor of vintage china. They had a great time and as part of the event had their hair and makeup done vintage style. I did give Lidia a camera to take photos but poor lighting meant slightly blurry photos but not to waste the opportunity I took a photo of of both back at the flat when they returned.

It was gone midnight when we took they photograph and people were getting tired, but I managed to gee them up into a state of animated and was pleased with the results.

Light consisted of simply a Bowens Gemini flash head and a Bowens Softbox. I added a vintage wallpaper overlay in Photoshop.

Photographing Keda Breeze’s Hoochie Coochie, The Bizarre and the Beautiful

On 27 October I was lucky enough to photograph Bristol’s brilliant Hoochie Coochie Cabaret, at Metropolis. I’d enjoyed the show many times as a punter and always wanted to have a crack at shooting the show. Organiser Keda Breeze books some of the best cabaret, circus, vaudeville, neo-burlesque with the odd bit of comedy and physical theatre thrown in.  Some of the best acts on UK and European circuit can be enjoyed and the whole thing’s one big feast for the eyes.

The Metropolis venue was once a cinema and it’s a fabulous old building that feels ideal for the vaudevillian fun of Hoochie Coochie. It’s been, variously, a comedy club, Wetherspoons pub, Christadelphian church but, most famously, was the place a young Bristolian Archibald Alexander Leach (AKA Cary Grant) first fell in love with the magic of the silver screen.

Keda Breeze

Keda Breeze, Hoochie Coochie organiser, Coco Boudoir, Bath.

Most visitors to Hoochie Coochie make the effort to dress up and this time the dress code was ‘Freaks, geeks and sirens – circus folk and side show oddities, bearded ladies, dancing dwarfs, and Siamese twins, Ghouls, apparitions, corpse brides and dead beauties’ – so I tried to take some candid shots of the patrons in their finery as well as the weirdness unfolding on stage.

The stage lighting was reasonable and as the action was fast-paced, shutter speeds needed to be sufficient to avoid blur-marred photographs. With the Canon 5D MKII comfortable at 3200 this was no problem. Occassionaly the lights dimmed and I dropped the shutter speed to compensate, taking plenty of shots to try and get one where the heavens aligned and any motion blur didn’t spoil the photograph. The image stablisation of my Canon 70-200 f/2.8 IS meant camera shake was not much of an issue. Happily, lighting was reasonably consistent. As long as performers kept to the pool of brighter tungsten light in the middle of the stage, it was a case of using manual exposure and histograms on a couple of test shots and then happily clicking away. Generally, I’ll always shoot manual in difficult light or, if the lighting is both bright and consistent, perhaps Aperture priority.

Here are a just few images from the show.